Actually, this is only a review of the first half of the concert, excerpts of Handel’s Messiah.
In the Spring of 2013, I had the pleasure of attending the Spring Concert of the Oratorio Society of Queens. The Oratorio Society performed an obscure work by Puccini, Puccini’s Mass, which is very rarely performed. The performance was exceptional and I thoroughly enjoyed my experience of this relatively unknown work. So it was with great anticipation that went to the Oratorio Society’s Holiday Concert performance at Queensboro Community College.
The Spring concert had a large number of seats available when I went to the box office on the performance date just minutes before the concert began so I anticipated that the holiday concert would have the same number of seats available or more given the fact that the Dec concert was less “esoteric” than Puccini’s Mass. I was wrong. Only 3 seats were left when I went to the box office 1 1/2 hours before the concert: one seat in the middle of the balcony, one seat down front in row “B” and one seat in the last row of the orchestra, 4 seats off the aisle. I took that seat which offered me a great view of everyone on stage. I was fortunate to get ANY seat given the popularity of the performance.
As much as I dislike Handel Operas, I am a big fan of Handel’s Messiah. But I’m a Messiah “purist” believing that piece should be performed in its entirety. The Oratorio Society chose to perform “excerpts” from the piece, curiously omitting the Hallelujah Chorus. Tenor John Easterlin was extraordinary. From the first note out of his mouth it was obvious that he is an exceptional performer. His strong, richly toned voice filled the concert hall which has excellent acoustics . In fact, he was almost too loud for the venue but it didn’t matter because his gorgeous voice was a pleasure to listen to. Sadly, he had the least amount to sing of the soloists and, personally, I thought his presence there was wasted on the short piece he performed given how outstanding he was. Soprano Geraldine Mcmillian was, for the most part, fine in her singing role, but sounded a bit abrasive at times. The audience was very warm in their applause for Ms. Mcmillian but lukewarm in their applause for Mr. Easterlin which was surprising. Bass Baritone Vaughn Fritts was the third singer, who, curiously, has the most to perform of the soloists. While he had a pleasant voice, Mr. Fritts, at times, was unable to sing loud enough to project over the orchestra and was occasionally drowned out by the orchestra. Having a Handel orchestra drown out a soloist is a rarity. Timing also was a problem. In one instance he continued the last note after the orchestra stopped playing. Perhaps he was just having an off night? On to the Chorus. The Oratorio Society’s chorus proved itself as a group of fine performers in Puccini’s mass so I expected the same here. I was surprisingly disappointed. However, I tend to believe the criticism should be reserved for the chorus master rather than the chorus itself. I tend to believe that the chorus master during rehearsals listened to the chorus from the stage. We, as concertgoers, listen to the performance from the venue’s seats. It was hard to believe that the chorus for Handel’s Messiah was the same chorus that performed so flawlessly in Puccini’s mass. The chorus’ sound was distinctly unbalanced with the male basses and the female sopranos being most prominent, dominating all the other voices. This was especially evident in the “To us a child us born” excerpt. This was disappointing because it was clear that each and every one of the chorus members had a voice that would contribute to the greatness of this work. However, the imbalance of the voices was really distracting from an otherwise exceptional performance.
I really wanted to stay for at least half of the second half after intermission, but I would have had to leave early. My row was filled with concertgoers in wheelchairs and with walkers so it would have been extremely awkward to get up in the middle of the second half to leave. As a result I missed the second half of the concert and I tend to believe I might have missed the better half.
Having seen Puccini’s Mass it is clear to me that the oratorio society is capable of handling difficult material and coming through with an excellent performance. I am really looking forward to Bruckner’s Mass in the Spring!